Thomas Dolby

From his early days playing keyboards in Paris’ Metro underground to his presence at the helm of Beatnik, Thomas Dolby Robertson has always worked to merge creativity and technology into a cohesive musical expression.

As a London teenager, Thomas Robertson was fascinated with the convergence of music and technology. His experiments with an assortment of keyboards, synthesizers and cassette players led his friends to dub him “Dolby”. That same fascination later drove him to become an electronic musician and multimedia artist whose groundbreaking work fused music with computer technology and video.

Thomas began his performing career beneath the streets of Paris, playing his synthesizer-based songs in the Metro subway. The advent of MTV brought him increased exposure: His well-produced and intelligent videos stood out from the pack, and his songs “She Blinded Me With Science” and “Hyperactive” became huge hits. Numerous awards and five Grammy nominations later, Thomas had achieved worldwide recognition as an artist. His two decades of innovations in the area of computer music and software have greatly impacted the sound of today’s popular music.

While Thomas continued to pursue his own creative endeavors, he was also courted by the developers of synthesizers, audio software and computer games to help them improve the audio capabilities of their products. Noticing that existing audio software was linear, Thomas sought to create software that would make music and sound truly interactive. With the advent of the Web, he found the perfect media for interactive audio.

Beatnik became the embodiment of Thomas’ vision. He built the company around a team of musically savvy engineers and technically astute musicians, and secured top management and funding. Today, the same passion and vision that first drew a teenage Thomas Robertson to music and technology is at the core of Beatnik.

In July 1998, Thomas received a Lifetime Achievement in Internet Music award from Yahoo! Internet Life magazine. An honor, to be sure — yet when it comes to fusing music and technology on the Web, Thomas believes that both he and the industry have much more to achieve.

In 2006, Dolby appeared again on the music scene with his first solo performances in over a decade; performing critically acclaimed shows in the US, Canada, England and Ireland.

In 2009, Dolby returned to the studio to work on his first original records in years. Details of the progress are posted frequently at Thomas’ blog at